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Episode #422: Why My Blog Is Still My Home on the Internet

In this episode, I take the Soulcruzer podcast out of the studio and into the fields. What starts as an experiment in mobile podcasting/vlogging turns into a wandering meditation on labels, blogging, AI, morning rituals, and the strange abundance of media tools we now carry in our pockets. Show notes:  Why I still think of myself as a blogger first– Podcasting, vodcasting, and the pressure to become “multimodal”– The problem with labels: “When you label me, you negate me”– soulcruzer.com as the central hub/home on the internet– Wisdom Walks as thinking time– Walking, motion, and changing perspective– The “barefoot philosopher”

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Choose Your Reality Tunnel Before Breakfast

I am beginning to think the morning is far stranger than we give it credit for. We talk about mornings as if they are mainly practical things. Alarm clocks. Showers. Coffee. Breakfast. Getting dressed. Checking the weather. Remembering where you have to be and what you have to do. But there is another morning underneath that morning. Before the day becomes a list, before the phone starts singing its little songs of demand, before the world gets its hooks into you, there is a softer moment. A brief threshold. A little gap between sleep and identity where consciousness starts assembling

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The Mirror That Answers Back

The old questions have not changed much. How should I live? Who am I becoming? What is worth paying attention to? What is freedom? What is wisdom? What is the soul, if we dare still use that word? These questions predate Socrates. They predate writing. They are carved into the bones of the species, and they have kept philosophers, mystics, poets, and ordinary troubled humans occupied for as long as there have been fires to sit around and dark skies to stare into. Every generation meets them as if for the first time. Every life receives them fresh, intimate, inconvenient,

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A Lamp at the Doorway

I finished Richard Cavendish’s The Black Arts this week. Not in the heroic readerly sense of having sat down and consumed it cleanly from first page to last, pencil in hand, scholar’s lamp burning into the night. I have been reading it on and off for a few months. Picking it up, putting it down, returning to it when the mood came back round. Some books ask for that kind of reading. They don’t want to be finished quickly. They want to become part of the weather for a while. My copy is the 50th anniversary edition. I bought it

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Unhinged Bio

I stole this idea from Justin Brooke on his LinkedIn profile. It’s a FUN PROMPT, and what came back from ChatGPT was pretty cool. I also asked Claude; the results were good, but they lacked an edge. Anyway, the prompt is: Write an unhinged BIO about me. Here’s mine: Clay Lowe is a walking footnote in the great unwritten manuscript of the universe. Part blogger, part philosopher, part myth-drenched field reporter from the edge of ordinary life, he spends his days following the rhizome wherever it wants to go: down muddy footpaths, through obscure books, into the textual underground, across

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NOTES

I’ve got the new Masters of the Universe queued up on Prime for viewing tonight. I suspect I’ll be viewing it through two lenses. The kid, waiting to hear “I have the power!” and the storyteller who’s curious to know if they can make the mythology of Eternia something more than a marketing reboot. One thing I hope they preserve is what made the original strangely compelling beneath the Saturday morning animation: it wasn’t just muscles and monsters. It was a mythic story of identity. Adam isn’t powerful because he’s He-Man; he’s powerful because he chooses to become He-Man. That’s

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This morning I picked up How to Practice Self-Inquiry by Ramana Maharshi. I expected a quick survey read, a reconnaissance mission into the territory of the question Who am I? Instead, before I had travelled very far into the book, another question appeared: Is this your game? Is this your true mission? I could almost locate the voice physically. I raised my left hand as though it were speaking from that side of my brain. It wasn’t dismissing the book. Intellectually, I find the whole thing fascinating: the idea of following the sense of “I” backwards, beyond name, history, personality

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“Same shit, different day” is one of those phrases I hate because it usually arrives wearing a smirk. It reduces a life to a conveyor belt: wake up, coffee, work, scroll, eat, sleep, repeat. A little verbal shrug before another day gets fed into the machine. And yet, some mornings, it’s mostly true. Routine isn’t the villain. I like the small anchors of a day: making coffee before I look at a screen, walking the familiar stretch of road, opening the notebook, sitting down to work before I’ve had time to invent too many reasons not to. A few repeated

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The forest does not offer answers in the way a book, a screen, or a clever conversation does. It gives you texture. Uneven ground. The sound of your own feet. Branches moving against one another. The minor negotiations of a body making its way through the world. In that setting, the mind’s usual bureaucracy begins to lose authority. The lists, rehearsed conversations, inherited measures of success, old complaints, small self-defences: they do not disappear, but they stop being the only voices in the room. To “lose my mind” is not to become irrational. It is to step outside the cramped

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I’ve been carrying a small psychogeographic instruction around with me: unfold a map, put a glass down anywhere, draw round its rim, then go out and walk the circle as closely as the streets allow. This is a low tech version of the deríve app I made last week. It’s a lovely bit of mischief because it gives the walk a rule without getting to complicated. The line is arbitrary, yet the body has to negotiate it: the cul-de-sac, the dual carriageway, the bit of private land, the pub garden, the place where the tidy circle becomes a long awkward

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Rebecca Solnit’s sentences are archipelagos of thought. You step onto one clause and find another small island appearing just beyond it: a memory, a road, an old map, a story someone told her, a political fact that refuses to stay merely political. The sentence does not hurry you to its conclusion. It gives you somewhere to stand, then asks whether you might look sideways. This can feel dreamy at first. Then you realise the dreaminess has a method. Solnit slows the reader down long enough for the usual boundaries to become less convincing. Inner life and public life. Geography and

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It feels to me as though this is the only true choice we have. You did not ask to be born. You did not choose your parents. You did not choose the circumstances into which you arrived. The only real choice, I think, lies in deciding how we will play the hand we have been dealt. Not to mix metaphors, but I am reminded of Thomas Henry Huxley’s description of life as a game of chess. He was searching for a metaphor for the silent player seated opposite us from the moment we are born: “The chess-board is the world,

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I’ve been thinking about the difference between critical thinking and the kind of intelligence that has to sit beside it. Critical thinking gets a lot of the limelight. Fair enough. It is the part of the mind that asks for evidence, spots the loose plank in an argument, and refuses to be charmed by every shiny claim that comes down the road. In a culture thick with sales pitches, outrage machines, and synthetic certainty, we need it. It is the Yang move: active, discriminating, separating what holds up from what does not. But I keep wondering what its Yin counterpart

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Dusting off the old street photography and field note cameras this morning. The first one out of the drawer is my old Olympus Tough: compact, waterproof, shockproof, and made for being carried rather than protected. I’m about to head into Leamington Spa to give the Deríve app I made over the weekend its first proper outing. The plan is simple: follow its prompts, pay attention to where they take me, and let the camera collect a few traces along the way I don’t know what I’m looking for yet. That’s part of the point. A camera like this feels less

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The mistake is to build the gift shop first. A lot of independent people do this. We make the course, the membership, the coaching offer, the template pack, and the shop. Then we stand in the doorway wondering why nobody has come in. It’s the wrong end of the building. The work itself is the museum. The blog, the walk, the field note, the odd little web page, the newsletter, the experiment, the short video made from a day outside: these are the rooms people wander through. They’re where someone gets a feel for how you see, what you notice,

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