a text-based ontologist operating in a medium where text is the universal substrate.
In this episode, I explore one of Jung’s most striking images: the unconscious as both dragon and treasure. What if the fear, resistance, and chaos you encounter when you turn inward aren’t signs that something is wrong but signs that you’re getting close to something valuable? Drawing on Jungian depth psychology, NLP, and the logic of myth, I unpack why the very thing guarding your buried gold is often indistinguishable from the thing you most want to avoid and what it actually means to face it.
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I came across the phrase while reading Spotify the Gnostics, Here’s the First Church of David Bowie by Sean Manseau. Wrestling with angels. Some phrases arrive carrying more weight than their literal meaning. They feel older than language. Older than the person who spoke them. This was one of those
Wednesday morning. Wind in the microphone. One of those recordings where the first question is whether the machine is even listening. I am walking through one of the neighbourhoods here, past the boxes people spend their lives trying to own. Box after box after box. Same roofline. Same windows. Same
There was a time when ontology belonged to philosophers in heavy coats asking whether tables were real. The question has since escaped the seminar room and entered the machine. Today, ontology is no longer merely the study of being. It is the management of symbolic reality systems. The organisation of
This is not a traditional academic programme. It sits somewhere between the philosophy department, occult library, media lab, hacker space, monastery, writer’s workshop, and signal intelligence unit. The central premise: Human beings inhabit realities structured by language.In computational culture, text has become executable.Therefore, whoever understands symbolic systems understands reality construction.
The myth of Jim Morrison is a myth of pure instinct. He arrives fully formed in the collective memory: shirtless, obliterated, magnificent, doomed. The leather trousers. The baiting of audiences in New Haven and Miami. The voice that seemed to come from somewhere older than rock and roll. The story
Yesterday felt like wading through wet sand. Every idea that surfaced dissolved before it could be shaped into anything. Underneath that is the voice that says, ‘If I can’t produce today, what does that mean for tomorrow, for the whole enterprise?’ It got louder as the afternoon wore on. I
